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All artwork © Andrew Grant
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A DERBYSHIRE WINTER
Yesterday, we met that great icicled old man, Winter, Striding across the tops of the Derbyshire peaks, Flinging furious fists of snow on to the roads, Stones, dips, hollows and hedgerows.
The hills and fields were bone white, And white to the bone where he had passed. Even the bleak and edgy rocks had given in, Hiding their lovely blackness Out of sight of the old man’s fury. For who knew what he would do next?
Too late! He’s done it. That tree standing alone in the emptiness Should have shown a bit more respect. Bowed its aching head Under the snowy crown he had given it, But somehow it shook the snow off instead. And that great icicled old man spat spiteful Gobbets of icy breath across it Until, for one brief and beautiful moment, The tree shone and dazzled in the thin sun, Then broke under the old terror’s icy gift and was gone.
Oh, winter, you could have pity on us. You could pity the owl and the crow, The mouse, the fox, the shrew and the stoat. You could pity the glancing beauty of the dying fish Striking up through the frozen water. But you won’t, will you? Even though you could afford to. For such splendour and icy glory, So enchanting it catches the breath And causes the heart to fall back, Will never willingly leave these peaks To the wind and rumpled grass. © Copyright GWEN GRANT
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THE GRACE OF LOVE
Tenderly, let memory slide From you to me And me to you. Gently, let time’s long tide Wash over me And over you. From what remembered things Are left behind, From light to dark We’ll pick and choose and find, And use the whole To heal and bind, You to me And me to you.
© GWEN GRANT
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WHEN YOU WERE HERE
When you were here There were hollyhocks in the garden. Your shadow passed the house and stopped Before the red lights of the Station crossing. I saw you everywhere then. The flap of your coat round a distant corner, Your green shirt adding a leaf to the darkness of a familiar tree. In your buttonhole you wore a bright red poppy, Those flowers of memory that now I give to you As once you gave to me.
Still I see you. There is no road, no court, no turning in this town That does not carry the imprint of your sandalled foot. No fence, no wall, no plot that does not hold The touch of your dark and curious eyes.
When you came home after the war was over, You carried me round this town upon your shoulder, Until I, too, recognised each old leaf and stone And your friends’ faces I knew almost as I knew your own.
But now you’re gone, And all those things you taught and told me, Which were as near to me as my blood, Have faded in the bleaching touch of our lost sun, Except my knowledge of you, and of your love.
© GWEN GRANT
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ON THE HILLS
When the sun shines, It glitters on the little pools of water Lying on the rough grass. No water witch is needed here To find a Spring; Any dowsing stick would jump out of her hand. For there are fountains of water Surging up and down and round this mountain, Drenching the earth, Having fun in the darkness.
At night, Stars use these pools to look in. Leaning right down To admire themselves. Sometimes, leaning too far, They fall into the water and drown.
In the morning, When the sun shines, Glittering in the little pools That look like stars lying on the grass, Clouds roll over the sun And the sky weeps To see her little stars all gone.
©GWEN GRANT
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BUTTERFLIES
She was standing in the doorway Of the Sally Army shop, In that chill nine-o-clock morning, Waiting to step out as I stepped in. Suddenly, spying the necklace I was wearing, She cried, ‘What a very pretty thing,’ Admiring the six enamelled butterflies On their long chain swinging. The sixth butterfly pinned by a single wing As if it had escaped, then seized again.
She was tall and thin, half starved, I thought. Her old face stunned with loneliness. But her eyes were ready for anything, Any adventure the day might bring.
She said, ‘May I enquire where you got it from?’ ‘A Bring-and-Buy,’ I told her, ‘raising money for someone.’ Her own clothes so old, she could have made a killing If they’d been sold as well-kept vintage, Like her cherry shoes all polished and twinkling.
‘Don’t suppose they had another one?’ she smiled, Lipstick crazing her crumpled skin. And I wished with all my heart I could pull out an enamelled butterfly. A Red Admiral, perhaps, or a Cabbage White, Or, best of all, the rare and lovely Adonis Blue, And give it to her, for I knew what she would do. She would pin it on her chic old turban And cry, ‘There! Good as new!’
One last smile, one last giddy wave Of those delicate fingers And she was almost gone. Until I reached out and caught her fingers in my own. Then, ‘Well,’ she said, our hands pulling away, ‘I can’t remember when I last had such an exciting day.’ And, smiling, we went our separate ways. But I remain so glad I met her.
© GWEN GRANT
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GHOST TRAIN
Everyone at the Fair told me The ghost train isn’t real. There are no ghosts in that tunnel With eyes of fire and hands of steel. There are no ghosts hanging just above you, Ready to drag you from your seat And nibble your bones and suck your blood And turn your eyes into mud. No, there’s no such thing as ghosts.
‘Go on it,’ everyone told me, There’s nothing there to fear, There are no ghosts in that tunnel. Except, maybe, the lad from our street Who was lost in there last year.
He was sat at the back of the ghost train, All alone on a big empty seat, And they say that a ghost came and got him Because all they found were the shoes off his feet.
So when the ghost train roars round the bend, Swoops through the water And comes out at the end, Well, right in the middle of that tunnel, There’s a thin white ghost who shrieks. Look at him as you go rumbling past And you’ll see it’s the lad from our street.
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